Guests: Brenden Agnew of Cinapse Victoria Luna B. Certainly the last steered by a Wachowski. Next week we close out with what might well be the last Matrix movie. We go all-out here to clear away the debris of the original conclusion and lay bare the depth of thought beneath. Philosophically this lands in a healthier place, even if so much of what we see feels mismanaged, awkward, stalling for time and sometimes downright annoying. But it was a necessary refocusing in order to expand outwards from Morpheus' dogmatic vision of "Us vs. The 1999 original is turned on its head here, resulting in a film that almost seems the inverse of everything that got us fired up in the first place. The least-loved, most-hated, and in consequence least-explored of the Matrix saga finally gets the School of Movies treatment. Grieve: Alexa Vargas whose YouTube channel is here Next week: Hawkeye Guests: Brenden Agnew of Cinapse Victoria Luna B.
#TV TROPES AVP EXTINCTION SERIES#
At the time of recording the only other show that we had in the can was the 2019 one on the original, so this represents a close-out of the series through the lens of diving back in to reassess, as we then proceeded to Reloaded, the Animatrix and Revolutions. However, some folks absolutely adored the tale that was being wound back on itself and then forward into the future. This dismal decision, coupled with Lana Wachowski's revised approach to both storytelling and action led to this film being both critically panned and rejected by audiences everywhere. This film was launched a week after Spider-Man: No Way Home and just before Christmas Day, due to a prior arrangement with HBO. Representing a refinement and evolution of the philosophies laid down two decades ago. Though this vein of property is worth too much money to the IP-owner to leave unmined. We come to it at last, maybe the final Matrix film directed by a Wachowski. Even though everything we found wasn't peachy-keen we still recommend seeing both movies as they are rather lovely. And since the sequel launched in theatres the same week we recorded I followed up with a completely separate section starting at 1h 2m, detailing to Sharon how the sequel develops on the original.
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Not all of it fantastic when scrutinised. And we were surprised yet again with what we found. So, now we've finally got around to it, as the commission escorted to the front of the line this cheery, toe-tapping, occasionally melancholy film about the drive to perform. Ever since then we've been promising to do a show. And they were right, I loved it immediately. When I first saw the teaser trailer for the original film, all the way back in 2016 I thought the dancing pig picture would be inane and perpetually irritating, only to find out from trusted critics that there was way more below the surface.